单词马勒的汉英翻译


马勒

[mǎ lè]
    Mahler (name)
    Gustav Mahler (1860-1911), Austrian composer





Mahler ['mɑlɚ]
    Gustav Mahler 马勒

austrian [ɔstriәn]
    n.奥地利人 adj.奥地利的,奥地利人的



单词马勒的英汉对照例句


马勒,马衔索一条穿过马下颚的绳子或皮带,与马衔铁连接用来控制马
A chain or strap that passes under a horse's lower jaw and serves in conjunction with the bit to restrain the horse.
19世纪后半叶,有几位作曲家继续谱写浪漫派作品,如奥地利的沃尔夫,布鲁克纳和马勒。。
In the last half of the19th century several composers were continuing the romantic tradition among them are wolf bruckner and mahler in austria.
更重要的是,这些抗议是在“科萨?诺斯特拉”组织的家乡马勒莫城对其进行反抗的初次表现。
More important are the first signs of defiance in cosa nostra's home town of palermo.
马的眼罩:系在马勒上缩短侧面视线的一对皮罩。
Blinder: a pair of leather flaps attached to a horse's bridle to curtail side vision.
马勒的后期作品之一。
One of mahler's later compositions.
马勒二十四岁时开始创作《第一号交响曲》,比贝多芬开始创作交响曲的年纪还年轻。
Gustav mahler wrote symphony no.1at age24 much younger than beethoven in starting symphonic composition.
马笼头安放在马头周围,用来限制或引导动物的一种马具,包括笼头、马勒、缰绳
A harness consisting of a headstall bit and reins fitted about a horse's head and used to restrain or guide the animal.
马笼头套在马头部的那部分马勒
The section of a bridle that fits over a horse's head.
那牧民在悬顶把马勒住。
The herdsman drew up his horse at the top of the cliff.
他把马勒和尼尔森的作品重新搬上乐坛,并把大量当代音乐列人演奏曲目,尽管他极其讲究调性,不大喜欢当代音乐。
He revived the works of mahler and nielsen and programmed much contemporary music even if he a dedicated tonalist was uncomfortable with it.
他书桌上有一尊马勒的半身像。
There was a bust of mahler on his desk.
她看见杰拉尔德,便挥了挥鞭子,同时把那两匹像在跳舞似的枣红马勒住,马车停下了。马车后座的四们姑娘一齐探出身来,叽哩呱啦地喧嚷着打招呼,把一对辕马都吓得蹦跳起来。
She waved her whip when she saw gerald and drew her dancing pair of red horses to a halt and the four girls in the back of the carriage leaned out and gave such vociferous cries of greeting that the team pranced in alarm.
有用于连接马勒和马嚼子的扣口的马嚼子。
A bit with a bar mouthpiece that is designed to combine a curb and snaffle.
正式处于这个原因,奥菲斯从不演奏马勒、布鲁克纳或是柴可夫斯基等人的大型交响曲。
For that reason orpheus does not play the big mahler bruckner or tchaikovsky symphonies.
他把马勒和尼尔森的作品重新搬上舞台,同时编排了当代音乐曲目,尽管他这个对音调极其讲究的音乐家但对当代音乐并不喜欢。
He revived the works of mahler and nielsen and programmed such contemporary music even if he a dedicated tonalist was uncomfortable with it.

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